The Romantic Horn
Richard Watkins (horn) & Julius Drake (piano)
Ralph Vaughan Williams (12.10.1872 – 26.08.1958) was an English composer born, near to the home of iClassical, in the Cotswold village of Down Ampney, near Cricklade in Gloucestershire where his father was a vicar.
Ralph Vaughan Williams wrote nine symphonies (written over nearly fifty years
The Lark Ascending is a poem, written by the English poet George Meredith, about the song of the skylark. … This poem was the inspiration behind Ralph Vaughan Williams musical work of the same name. This work, that was originally scored for violin and piano, has become more widely known than the poem. The version that is most frequently performed today is scored for violin and orchestra.
The composer termed the piece a “pastoral romance for orchestra”. It is full of the folk melodies that the composer loved to collect, with those singing violin lines, mingling with the sounds of the earth before breaking free, rising to ever loftier heights. The mood is deeply nostalgic, and his writing evokes the glorious image of the rolling British countryside.
The work has become very popular and is much loved by audiences, particularly in Britain. The piece has been the top choice in the annual poll of Classic FM listeners more times than any other work. The version that we turn to most frequently, at iClassical, is Tasmin Little’s 2013 performance with the BBC Philharmonic and Sir Andrew Davis. Her charming performance has just the right balance of light and shade and is wonderfully supported by Andrew Davis et al. There are so many fine performances of this musical gem that picking one is an almost impossible task but this Chandos has the added advantages of fine sound and a most outstanding performance of Moeran’s Violin Concerto.
Gustav Mahler (07.07.1860 – 18. 05. 1911) was an Austrian composer and conductor, noted chiefly for his 10 symphonies and various songs with orchestra, including Das Lied von der Erde and Lieder eines fahrenden Gesellen. As a composer his work forms an important bridge between the 19th century Austro-German tradition and the modernism of the early 20th century.
Lieder eines fahrenden Gesellen (Songs of a Wayfarer) is a youthful song cycle that Gustav Mahler based on his own texts. This set of four Lieder for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler’s unhappy love for soprano Johanna Richter, whom he met while conductor of the opera house in Kassel, Germany. It was not orchestrated (and revised) until the 1890s. There are strong connections between this work and Mahler’s Symphony No. 1, with the main theme of the second song being the main theme of the symphonies opening movement whilst the final verse of the fourth song appears as a contemplative interruption of the funeral march in the symphonies third movement.
We have chosen to include a version by Dietrich Fischer-Dieskau, a German lyric baritone, who is widely regarded as one of the finest Lieder (art song) performers of the post-war period. He has recorded the work a number of times but his voice was at its finest in his 1952 performance, recorded when he was just 27. He is accompanied by the Philharmonia Orchestra directed by the great Wilhelm Furtwängler and the sound, captured in the Kingsway Hall, London, is hugely enjoyable even by today’s standards.